Company Danzante - "I Am the Movement" | LIVE at The Kennedy Center
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In light of the various social and cultural movements that are presently empowering women to speak out, unite, and demand equality and justice, this work-in-progress explores individual identity, vulnerability, and strength within the collective voice.. I Am the Movement (Excerpt, Work-in-Progress) Choreography by Katherine Horrigan and Arturo Garcia in collaboration with the dancers Music by Ludovico Einaudi, Ten Walls, Nils Frahm Performed by Grace Ball, Elizabeth Burr, Megan Caputo, Olivia Jordan, Erin Fitzgerald Rochow, Darian Saenz, Susie Wopat, and Mikayla Mckee Company Danzante, one of Arlington’s premier contemporary dance companies, returns to Millennium Stage with works by five outstanding contemporary choreographers: Marcus Willis, Shaun Boyle, Karen Reedy, Katherine Horrigan, and Arturo Garcia. This family-friendly performance blends emotional beauty with athletic power to captivate the mind, stimulate the senses, and uplift the soul. Part of Millennium Stage at The Kennedy Center, February 7, 2018. Watch the full performance: https://youtu.be/Wbje6qPF9-I Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
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Hope Boykin, Artistic Advisor for Dance Education at the Kennedy Center and longtime dancer for Alvin Ailey, breaks down the opening section of her world premiere work "How Love Sounds," performed by the Paul Taylor Dance Company. In this exclusive peek Behind the Curtain, Boykin explores the choreographic elements set to Antonín Dvořák's romantic "Nocturne in B major, Op. 40" and reveals the creative inspiration behind this boundary-pushing work that celebrates the Paul Taylor Dance Company's 70th anniversary. Watch the full dance here: https://youtu.be/t33zSqgYJW4 Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #PaulTaylorDanceCompany #HopeBoykin #WorldPremiere
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Play video WPA Virtual Commissions: "STORM" by Sara Mearns, Joshua Bergasse, Zoe Sarnak, and Margo Seibert
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"We created this piece in April at the height of the COVID-19 pandemic in New York City, as we tried to make sense of what our communities were going through. We created this piece to inspire hope. So much has happened since then. We stand in solidarity with the protests against racial injustice in our country. They inspire profound hope and we hope, change." - Joshua Bergasse, Sara Mearns, Zoe Sarnak, and Margo Seibert "STORM" Co-presented by Barrington Stage Company, Broadway Dance Center, Kaatsbaan | cultural park for dance, The Kennedy Center, The Joyce Theater, New York City Center, Jerome Robbins Dance Division at The New York Public Library for the Performing Arts, Spoleto Festival USA, Society for the Performing Arts, and Works & Process at the Guggenheim Performed by Sara Mearns Choreographed by Joshua Bergasse "The Storm Will Pass Soon Now" - Music and Lyrics by Zoe Sarnak Vocals by Margo Seibert Piano by Zoe Sarnak Filmed by Joshua Bergasse Edited by Lee Cherry Artist Statement: Joshua Bergasse "For me this was all about dichotomy; I was feeling so many opposing emotions. Sometimes debilitatingly negative, and then extraordinarily positive and powerful. That’s where the movement came from. And I wanted to capture Sara’s state of being against Zoe's song of hope." Artist Statement: Sara Mearns "We filmed this at the height of the pandemic in New York City, every morning we would wake up to the numbers rising. At that point, I felt lost & questioning what my role or contribution was to society, I felt helpless. I felt my being was crying out, this song and the choreography allowed me to express the pain I was in." Artist Statement: Zoe Sarnak "Writing music is a way for me to take an ache that I feel and turn it into some piece of hope. Like so many artists, I find myself trying to make meaning of this moment of confusion, pain, and loss. I hope that this song can provide the kind of strength and solace to viewers that working with Margo, Josh, and Sara has provided to me." "STORM" will be entered into the collection of the Jerome Robbins Dance Division at The New York Public Library for the Performing Arts representing art created during the Covid-19 pandemic. Works & Process Artist (WPA) Virtual Commissions To financially support artists and nurture their creative process during these challenging times, Works & Process at the Guggenheim will grant over $150,000 for artists to create new works while observing social distancing guidelines. New works posted every Sunday and Monday at 7:30pm. Please consider a donation. Every dollar you give will go directly to the artists. DONATE - https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=KKFTJ5UTYTRAW&source=url WPA Virtual Commissions has been supported by Stuart Coleman, Antonio Convit and Tim McGraw, Lucy Dobrin, Adam Flatto, Bart Friedman, Bond Koga, Jayne Lipman, Cynthia Hazen Polsky, Stephen Kroll Reidy, Denise Saul, Annalyn Swan, Shelby White and many others. Virtual video design supported by Anupam and Rajika Puri. New music for dance supported by The Charles and Joan Gross Family Foundation. Lead funding for Works & Process is provided by the Ford Foundation, Christian Humann Foundation, Leon Levy Foundation, Mertz Gilmore Foundation, NYC COVID-19 Response and Impact Fund, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts. Works & Process has received support from U.S. Small Business Administration Paycheck Protection Program and NYC Employee Retention Grant Program. Works & Process at the Guggenheim Described by The New York Times as “an exceptional opportunity to understand something of the creative process,” for 35 years, New Yorkers have been able to see, hear, and meet the most acclaimed artists in the world, in an intimate setting unlike any other. Works & Process, the performing arts series at the Guggenheim, has championed new works and offered audiences unprecedented access to generations of leading creators and performers. Most performances take place in the Guggenheim’s intimate Frank Lloyd Wright–designed 273-seat Peter B. Lewis Theater. In 2017, Works & Process established a new residency and commissioning program, inviting artists to create new works, made in and for the iconic Guggenheim rotunda. In 2020, Works & Process Artists (WPA) Virtual Commissions was created to financially support artists and nurture their creative process during the pandemic. worksandprocess.org.
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“Watching Alvin Ailey American Dance Theater can change your life. If that sounds like a slogan, it's truth in advertising." -The New York Times Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey's Revelations fervently explores the places of deepest grief and holiest joy in the soul. More than just a popular dance work, it has become a cultural treasure, beloved by generations of fans. Seeing Revelations for the first time or the hundredth can be a transcendent experience, with audiences cheering, singing along and dancing in their seats from the opening notes of the plaintive "I Been 'Buked" to the rousing "Wade in the Water" and the triumphant finale, "Rocka My Soul in the Bosom of Abraham." Ailey said that one of America's richest treasures was the African-American cultural heritage-"sometimes sorrowful, sometimes jubilant, but always hopeful." This enduring classic is a tribute to that tradition, born out of the choreographer's "blood memories" of his childhood in rural Texas and the Baptist Church. But since its premiere in 1960, the ballet has been performed continuously around the globe, transcending barriers of faith and nationality, and appealing to universal emotions, making it the most widely-seen modern dance work in the world. ________ Repertory programs to include Revelations Truly great dance can be a window into the heart and soul, revealing our deepest selves. Let Ailey take you on a path of discovery. We'll show you ourselves through our movement and help you see yourself in our stories. Darrell Grand Moultrie's Ounce of Faith is an exuberant expression of what's possible when a young person is encouraged to dream. Jamar Roberts' Ode reflects on the beauty and fragility of life in a time of growing gun violence. And Greenwood, a new commission from Donald Byrd, shines a light on the 1921 attack by a white mob that destroyed an affluent black neighborhood in Tulsa, OK. Company premieres and new productions round out the season, along with returning audience favorites including Mr. Ailey's timeless classic Revelations. Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
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Play video Bon Iver & TU Dance - "R.A.H." | LIVE at The Kennedy Center
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Bon Iver and TU Dance perform "R.A.H." LIVE at The Kennedy Center as part of DIRECT CURRENT, filmed live in the Kennedy Center's Concert Hall on March 25, 2019. The Kennedy Center's DIRECT CURRENT celebration kicked off with Bon Iver & TU Dance’s Come Through, a cohesive, cross-genre performance between two artistic powerhouses. This evening-length collaboration featured new music from Justin Vernon, of two-time Grammy Award®–winning indie folk band Bon Iver, and new choreography from TU Dance, a diverse nine-member company founded by Toni Pierce-Sands and Uri Sands and known for works that combine the language of modern dance and classical ballet with African-based and urban vernacular movements. Come Through was commissioned by the Saint Paul Chamber Orchestra’s Liquid Music Series. "R.A.H." Performed by Bon Iver and TU Dance TU Dance Artistic Directors, Toni Pierce-Sands and Uri Sands Music by Justin Vernon Choreography by Uri Sands #DirectCurrent #BonIver #TUDance #ComeThrough Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
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Play video Bon Iver & TU Dance - "Come Through" | LIVE at The Kennedy Center
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Bon Iver and TU Dance perform "Come Through" LIVE at The Kennedy Center as part of DIRECT CURRENT, filmed live in the Kennedy Center's Concert Hall on March 25, 2019. The Kennedy Center's DIRECT CURRENT celebration kicked off with Bon Iver & TU Dance’s Come Through, a cohesive, cross-genre performance between two artistic powerhouses. This evening-length collaboration featured new music from Justin Vernon, of two-time Grammy Award®–winning indie folk band Bon Iver, and new choreography from TU Dance, a diverse nine-member company founded by Toni Pierce-Sands and Uri Sands and known for works that combine the language of modern dance and classical ballet with African-based and urban vernacular movements. Come Through was commissioned by the Saint Paul Chamber Orchestra’s Liquid Music Series. "Come Through" Performed by Bon Iver and TU Dance TU Dance Artistic Directors, Toni Pierce-Sands and Uri Sands Music by Justin Vernon Choreography by Uri Sands #DirectCurrent #BonIver #TUDance #ComeThrough Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
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