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Play video Ben Rector with Cody Fry - "The Men That Drive Me Places" | A Kennedy Center Digital Stage Original
Ben Rector with Cody Fry - "The Men That Drive Me Places" | A Kennedy Center Digital Stage Original
Discover more about Ben Rector and Cody Fry at benrectormusic.com and codyfry.com. Ben Rector and Cody Fry deliver an acoustic rendition of Rector's "The Men That Drive Me Places" during an intimate live session in the Concert Hall of The Kennedy Center. The Men That Drive Me Places Written and performed by Ben Rector Featuring Cody Fry ----- Video: Directed by Tony Donghyuk Yoon & Timothy Parsons Executive Producers - Regis Vogt, Ben Rosenfield, Justin Ellis, Grace Swihart Producer - Tony Donghyuk Yoon Associate Producer - Harry Oakes Assistant Director - Kyle Schick Lighting Designer - William D’Eugenio Sound Mixer - Jake Hartsfield Colorist - Oliver Eid Operator, A Camera - Tyler Davis 1st AC, A Camera - Evan Luzi 2nd AC, A Camera - William Webb Operator, B Camera - Shane Colella 1st AC, B Camera - Harry Oakes 2nd AC, B Camera - Eric Black Key Grip - Nathan Taylor BTS Photographer - Ryan Nichols Production Assistant - Thea Belle Flanzer Concert Hall Master Technicians: Michael Buchman Paul Johannes April King John Ottaviano Ari Qorb Max Queen Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #BenRector #CodyFry #TheMenThatDriveMePlaces #KennedyCenter
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Play video Ben Rector - "Dream On" | A Kennedy Center Digital Stage Original
Ben Rector - "Dream On" | A Kennedy Center Digital Stage Original
Discover more about Ben Rector at benrectormusic.com. Ben Rector delivers a passionate rendition of his song "Dream On" in The Kennedy Center's grand Concert Hall. Dream On Written and performed by Ben Rector ----- Video: Directed by Tony Donghyuk Yoon & Timothy Parsons Executive Producers - Regis Vogt, Ben Rosenfield, Justin Ellis, Grace Swihart Producer - Tony Donghyuk Yoon Associate Producer - Harry Oakes Assistant Director - Kyle Schick Lighting Designer - William D’Eugenio Sound Mixer - Jake Hartsfield Colorist - Oliver Eid Operator, A Camera - Tyler Davis 1st AC, A Camera - Evan Luzi 2nd AC, A Camera - William Webb Operator, B Camera - Shane Colella 1st AC, B Camera - Harry Oakes 2nd AC, B Camera - Eric Black Key Grip - Nathan Taylor BTS Photographer - Ryan Nichols Production Assistant - Thea Belle Flanzer Concert Hall Master Technicians: Michael Buchman Paul Johannes April King John Ottaviano Ari Qorb Max Queen Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #BenRector #DreamOn #KennedyCenter
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Play video Cody Fry - "Over the Rainbow" | A Kennedy Center Digital Stage Original
Cody Fry - "Over the Rainbow" | A Kennedy Center Digital Stage Original
Discover more about Cody Fry at codyfry.com. Cody Fry delivers an intimate, soulful rendition of "Over the Rainbow" in the grand Concert Hall of The Kennedy Center. Over the Rainbow Arranged and Performed by Cody Fry Written by Harold Arlen and Yip Harburg ----- Video: Directed by Tony Donghyuk Yoon & Timothy Parsons Executive Producers - Regis Vogt, Ben Rosenfield, Justin Ellis, Grace Swihart Producer - Tony Donghyuk Yoon Associate Producer - Harry Oakes Assistant Director - Kyle Schick Lighting Designer - William D’Eugenio Sound Mixer - Jake Hartsfield Colorist - Oliver Eid Operator, A Camera - Tyler Davis 1st AC, A Camera - Evan Luzi 2nd AC, A Camera - William Webb Operator, B Camera - Shane Colella 1st AC, B Camera - Harry Oakes 2nd AC, B Camera - Eric Black Key Grip - Nathan Taylor BTS Photographer - Ryan Nichols Production Assistant - Thea Belle Flanzer Concert Hall Master Technicians: Michael Buchman Paul Johannes April King John Ottaviano Ari Qorb Max Queen Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #CodyFry #OverTheRainbow #KennedyCenter
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Play video Reframing the Narrative: Blacks in Ballet | A Kennedy Center Digital Stage Original
Reframing the Narrative: Blacks in Ballet | A Kennedy Center Digital Stage Original
Eleven black dancers from historically white ballet companies were commissioned by The Kennedy Center to create and perform a brand new ballet in just two weeks. This is their story... ----- Guest curator Theresa Ruth Howard facilitated a two-week creative process through Kennedy Center Social Impact’s Office Hours Residency Program with renowned choreographer Donald Byrd, using the music of Kennedy Center Composer-in-Residence Carlos Simon, to birth this stunning piece that premiered on the Reframing the Narrative program in the Kennedy Center Opera House alongside works presented by Dance Theatre of Harlem, Ballethnic Dance Company, and Collage Dance Collective. ----- Proud recipient of an Anthem Award for Education, Art & Culture! https://www.anthemawards.com/winners/ ----- CREATIVE TEAM Choreographer Donald Byrd Composer Carlos Simon Conductor Dr. Leslie Dunner Curators Theresa Ruth Howard Denise Saunders Thompson Dancers Portia Adams Precious Adams Katlyn Addison Joshua Bodden Corey Bourbonniere Jenelle Figgins Claudia Monja Ashley Murphy-Wilson Gian Carlo Perez Jonathan Philbert Miranda Silveira Raquel Smith, Apprentice VIDEO Executive Producer Regis Vogt Producers Tony Donghyuk Yoon Ryan Nichols Director / Director of Photography Tony Donghyuk Yoon Editor Ryan Nichols Graphics Georgia Bergin Camera Operators - Story Tony Donghyuk Yoon Josh Rodriguez Camera Operators - Performance Stella Sharpe Josh Rodriguez Harry Oakes Rick Burks Ayal Subar Camera Assistants Harry Oakes Ben Janusz KENNEDY CENTER DANCE PROGRAMMING Director, Dance Programming Jane Raleigh Manager, Dance Programming Julie Akerly Coordinator, Dance Programming Malik Burnett From Other Suns was commissioned by the John F. Kennedy Center for the Performing Arts as part of Reframing the Narrative (2022) and is made possible with support from the Kennedy Center Social Impact’s Office Hours Residency program. ----- 2:39 - Dancer Othella Dallas is mistakenly identified here as Katherine Dunham. Katherine discovered and trained Othella, and Othella taught Katherine Dunham's technique into her 90s. ----- Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #reframingthenarrative #ballet #thekennedycenter
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Play video The Making of "0874: A Filipino-American Love Story" | A Kennedy Center Digital Stage Original
The Making of "0874: A Filipino-American Love Story" | A Kennedy Center Digital Stage Original
Go behind the scenes at the Kennedy Center to witness the creation of "0874," a new musical by Alexandra Palting. "0874" (Eight hundred seventy-four) is named for the number of letters that Alexandra's grandparents wrote to each other during a three-year long-distance courtship between the U.S. and the Philippines. In letter one, Alexandra's grandmother Paz wanted to be a nun. By the eight hundred and seventy-fourth letter, she moved across the world to start a new life with Alexandra's grandfather Jun. Alexandra Palting is a 2022 Artist-in-Residence at the Kennedy Center with the Local Theater Residency Program. ---------- VIDEO Regis Vogt - Executive Producer Tony Yoon - Director / Director Of Photography Harry Oakes - Editor Josh Rodriguez - Camera Operator Rachel Corbin - Camera Operator Ayal Subar - Audio Recordist / Mixer Kyle Schick - Audio Recordist CREATIVE TEAM Alexandra Palting - Creator/Writer/Co-composer Baz King - Arranger/Co-Composer/Guitar Aria Velz - Director Isaiah Shim -Arranger/Piano SPECIAL THANKS to Asian Pasifika Arts Collective for co-producing 0874. Catrece Ann Tipon - Co-Executive Director & Co-Founder Cori Dioquino - Co-Executive Director & Co-Founder Philippine Sustainable Fashion Partners: PIOPIO VINTA Gallery Silviyana Weddings KENNEDY CENTER SOCIAL IMPACT Marc Bamuthi Joseph - Vice President of Social Impact Victoria Murray Baatin - Senior Director of Social Impact Trés McMichael - Program Manager, Civic Alliances Karina Galiano - Program Manager, Creative Alliances Mariana Brazão - Program Coordinator, Civic Alliances Rachael Ward - Program Coordinator, Creative Alliances Local Theater Residency Program is made possible by Share Fund ---------- Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #kennedycenter #digitalstage #0874
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Play video Mo Willems: The Joy of Creation | A Kennedy Center Digital Stage Original
Mo Willems: The Joy of Creation | A Kennedy Center Digital Stage Original
"Everything that I do comes from a place of wanting to do something ridiculous."—Mo Willems The Kennedy Center presents an intimate portrait of Mo Willems, the Center's first-ever Education Artist-in-Residence. From his beginnings in comedy and television (Sesame Street, Sheep in the Big City, The Off-Beats) to his popular books (The Pigeon series, Elephant & Piggie), musicals (Knuffle Bunny), and YouTube creations (LUNCH DOODLES with Mo Willems!), journey with Mo as he continues to explore who he is as an artist and invites others to discover the joy of creation. Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #mowillems #kennedycenter #digitalstage
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Play video Dave Chappelle: Back to School | The Kennedy Center & Duke Ellington School of the Arts
Dave Chappelle: Back to School | The Kennedy Center & Duke Ellington School of the Arts
The day after winning The Kennedy Center's prestigious Mark Twain Prize for American Humor, Dave Chappelle paid a visit to his old high school, Duke Ellington School of the Arts, in Washington, D.C., with a few of his friends. Check out behind the scenes footage of Dave Chappelle’s Mega Masterclass, with celebrity guest facilitators Bradley Cooper, Chris Tucker, Common, Erykah Badu, Thundercat, Frédéric Yonnet and more. The Kennedy Center's Mark Twain Prize for American Humor recognizes individuals who have had an impact on American society in ways similar to the distinguished 19th-century novelist and essayist Samuel Clemens, best known as Mark Twain. As a social commentator, satirist, and creator of characters, Clemens was a fearless observer of society, who startled many while delighting and informing many more with his uncompromising perspective on social injustice and personal folly. https://www.kennedy-center.org/whats-on/marktwain/ Watch the full star-studded Mark Twain Prize tribute to Dave Chappelle on Netflix now: https://www.netflix.com/title/81214015?s=i&trkid=13747225 The Duke Ellington School of the Arts was established in 1974 and remains the sole D.C. public high school to offer a dual curriculum encompassing professional arts training and academic enrichment, in preparation for college and careers in the arts. By naming one of his jazz bands The Washingtonians, Duke Ellington made his home part of his persona. D.C. philanthropist and avid art collector Peggy Cooper Cafritz and the late dancer and choreographer Mike Malone returned the favor, building this school to house the creative soul of the District, and to reflect the rich cultural diversity of the United States. From the beginning, public and private partnerships have supported the school, which in 2000 evolved into the Duke Ellington School of the Arts Project (DESAP), which includes the D.C. Public Schools, the Ellington Fund, the John F. Kennedy Center for the Performing Arts, and George Washington University. http://www.ellingtonschool.org/ Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #davechappelle #dukeellington #digitalstage
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Play video Blue: The Father | A Kennedy Center Digital Stage Original
Blue: The Father | A Kennedy Center Digital Stage Original
What is it like to be both a black father and a police officer in America? Kenneth Kellogg, a D.C. native who plays the Father in Blue, learns lessons from a police officer. The story of the Washington National Opera's "Blue" is an extremely personal one for Kenneth. Having a young son himself, playing the role of a father comes naturally to him. But, to learn to play a police officer, he needed help from retired police officer Frank Riley. Watch as Kenneth reveals why this opera is so personal for him and learns more about the issues at the heart of Blue. "Blue" - The Opera "Blue" brings audiences into the emotional epicenter of an African-American couple — a father (who is a police officer) and a mother — who lose their teenage son when he is killed by a fellow police officer. Music by Jeanine Tesori / Libretto by Tazewell Thompson Co-Production with The Glimmerglass Festival and Lyric Opera of Chicago Tony Award®–winning composer Jeanine Tesori and NAACP Theatre Award–winning librettist Tazewell Thompson’s new opera inspired by contemporary events and Black literature, including Ta-Nehisi Coates’s Between the World and Me and James Baldwin’s The Fire Next Time. Jeanine's signature and genre-blending style and vivid flashbacks capture the grief of a family and community navigating the turbulent waters of loss at the hands of police. Exploring race, violence, and reconciliation, Blue places timely issues at the forefront of modern opera and invites audiences to the emotional epicenter of their impact. Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #police #opera #blackculturematters
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Play video A Super Story About Super Kids - Dancing In the Nutcracker | A Kennedy Center Digital Stage Original
A Super Story About Super Kids - Dancing In the Nutcracker | A Kennedy Center Digital Stage Original
Each year, hundreds of children audition to be "supernumeraries" -- the aspiring young dancers who play the soldiers, mice, party guests, and other characters in the beloved "Nutcracker" ballet -- in a visiting company's production at the Kennedy Center. Journey with them from auditions through rehearsals to their performance on the grand Opera House stage. #digitalstage #ballet #nutcracker Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
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Play video Welcome to the REACH | The Kennedy Center
Welcome to the REACH | The Kennedy Center
Join Rose Kennedy Schlossberg, John F. Kennedy's granddaughter, in this exploration of The REACH -- the Kennedy Center's transformative new expansion. “If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.”—John F. Kennedy John F. Kennedy’s vision was to set the artist free. Free to reach beyond hallowed halls and sacred walls into creative open spaces where audiences can reach back and connect with the art and the artist who created it. That’s why we created the REACH. The REACH is a living theater where diverse art forms collide to break down the boundaries between audience and art. It is an immersive learning center, a public incubator, and a set of dynamic, collaborative spaces where art happens so close audiences can reach out and touch it. Envisioned as a complement to, and extension of, the Kennedy Center’s mission, the REACH is an open stage for differing ideas and divergent cultures, delivering on a vision for what a 21st century arts center should be—inclusive, accessible, and interactive. Regular activities within the REACH will include club-style performances, a Learning Lab that welcomes students and visitors to explore hands-on arts experiences, and social events, as well as festivals, outdoor films, art installations, youth programs, and exhibitions. The REACH opens to the public on September 7, 2019, with a two-week-long celebration that features free campus-wide activities, indoor and outdoor performances and events, and extensive opportunities for the public to explore Washington’s newest cultural destination. More info: https://reach.kennedy-center.org/about/ Join us for the REACH Opening Festival - September 7-22, 2019. https://cms.kennedy-center.org/festivals/reach/ Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
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Play video Brad Paisley - "American Flag on the Moon" | A Kennedy Center Digital Stage Original
Brad Paisley - "American Flag on the Moon" | A Kennedy Center Digital Stage Original
Brad Paisley performs his original song in tribute to the 50th Anniversary of the Apollo 11 moon landing. "American Flag on the Moon" Written and performed by Brad Paisley Premiered during NSO Pops: Apollo 11: A 50th Anniversary One Small Step, One Giant Leap July 20th, 2019 In collaboration with NASA. Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb Subscribe to Brad Paisley! http://smarturl.it/BPYoutubeSubscribe #bradpaisley #kennedycenter #NASA
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Play video Maz Jobrani: Just Iranian-American | A Kennedy Center Digital Stage Original
Maz Jobrani: Just Iranian-American | A Kennedy Center Digital Stage Original
Comedian Maz Jobrani sits down with Washington Post reporter Jason Rezaian for a kebab dinner in Washington D.C. during his recent visit to The Kennedy Center. Featuring excerpts from Maz's performance in the Concert Hall, Maz talks with Jason about his childhood, his comedic origins, and their shared experiences as Iranian-Americans. Special thanks to Jason Rezaian and the Washington Post. Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #mazjobrani #comedy #digitalstage
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