Lil Buck - "Orbit" from "DEMO: Now" by Damian Woetzel
0:00
Choreographed and performed by Lil Buck. Music by Philip Glass; performed by Michael Nicolas. ABOUT DEMO: Former New York City Ballet principal dancer turned director/choreographer/thought leader Damian Woetzel—who was recently named as the next president of The Juilliard School—curates and hosts the third season of his interdisciplinary DEMO series. This installment presented recent commissions and D.C. premieres from some of today’s most creative voices in dance and music. The evening included a new work choreographed by Pam Tanowitz, with music by Pulitzer Prize–winning composer Caroline Shaw, and the Kennedy Center premiere of Alexei Ratmansky’s solo Fandango, danced by New York City Ballet star Sara Mearns and set to the music of Boccherini. Additional artists included the game-changing string quartet Brooklyn Rider, Memphis jookin street dance pioneer Lil Buck, and former Merce Cunningham Dance Company performers and modern dance luminaries Silas Riener and Rashaun Mitchell. March 7, 2018 Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
Related Videos
In Dance
-
Play video Revelations - Alvin Ailey American Dance Theater
Revelations - Alvin Ailey American Dance Theater
“Watching Alvin Ailey American Dance Theater can change your life. If that sounds like a slogan, it's truth in advertising." -The New York Times Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey's Revelations fervently explores the places of deepest grief and holiest joy in the soul. More than just a popular dance work, it has become a cultural treasure, beloved by generations of fans. Seeing Revelations for the first time or the hundredth can be a transcendent experience, with audiences cheering, singing along and dancing in their seats from the opening notes of the plaintive "I Been 'Buked" to the rousing "Wade in the Water" and the triumphant finale, "Rocka My Soul in the Bosom of Abraham." Ailey said that one of America's richest treasures was the African-American cultural heritage-"sometimes sorrowful, sometimes jubilant, but always hopeful." This enduring classic is a tribute to that tradition, born out of the choreographer's "blood memories" of his childhood in rural Texas and the Baptist Church. But since its premiere in 1960, the ballet has been performed continuously around the globe, transcending barriers of faith and nationality, and appealing to universal emotions, making it the most widely-seen modern dance work in the world. ________ Repertory programs to include Revelations Truly great dance can be a window into the heart and soul, revealing our deepest selves. Let Ailey take you on a path of discovery. We'll show you ourselves through our movement and help you see yourself in our stories. Darrell Grand Moultrie's Ounce of Faith is an exuberant expression of what's possible when a young person is encouraged to dream. Jamar Roberts' Ode reflects on the beauty and fragility of life in a time of growing gun violence. And Greenwood, a new commission from Donald Byrd, shines a light on the 1921 attack by a white mob that destroyed an affluent black neighborhood in Tulsa, OK. Company premieres and new productions round out the season, along with returning audience favorites including Mr. Ailey's timeless classic Revelations. Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
0:00
-
Play video National Dance Day 2019 - Kennedy Center Staff @ The REACH!
National Dance Day 2019 - Kennedy Center Staff @ The REACH!
Kick up your heels and put on your dancing shoes! It’s time for National Dance Day! This year the festivities will be at the Kennedy Center’s new campus space, the REACH. #DanceMadeMeDoIt #NationalDanceDay2019. FREE! Reservations for timed passes will be required for entry. Reservations are available here: https://cms.kennedy-center.org/festivals/reach/ Don't miss our annual full day of activities celebrating the art of dance. For more information on the REACH Opening Festival, please visit: https://cms.kennedy-center.org/festivals/reach/overview Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
0:00
-
Play video Ballerina Maria Tallchief performs for President John F. Kennedy (1962) | The Kennedy Center
Ballerina Maria Tallchief performs for President John F. Kennedy (1962) | The Kennedy Center
Ballerina Maria Tallchief performs for Presidents John F. Kennedy and Dwight D. Eisenhower during "An American Pageant of the Arts," on November 29, 1962. The purpose of the event was to raise funds for the National Cultural Center, begun under Eisenhower's administration and encouraged under Kennedy's. Two months after President Kennedy's assassination in November 1963, Congress passed and President Johnson signed into law legislation renaming the National Cultural Center as a "living memorial" to John F. Kennedy. Watch the full pageant with Bob Newhart, Harry Belafonte, Yo-Yo Ma, Danny Kaye, Marian Anderson, Robert Frost, Andre Previn, and many more: https://youtu.be/pCIg6fTPA5U Learn more about the Kennedy Center's history: https://www.kennedy-center.org/our-story/history/ Maria Tallchief was considered America's first major prima ballerina. She was the first Native American to hold the rank, and is said to have revolutionized ballet. When George Balanchine co-founded what would become the New York City Ballet in 1946, Tallchief became the company's first star. The combination of Balanchine's difficult choreography and Tallchief's passionate dancing changed the world of dance. She served as director of ballet for the Lyric Opera of Chicago for most of the 1970s and debuted the Chicago City Ballet in 1981. Tallchief was honored by the people of Oklahoma with multiple statues and an honorific day. She was inducted in the National Women's Hall of Fame and received a National Medal of Arts. In 1996, Tallchief received a Kennedy Center Honor for lifetime achievements. Help Inspire Others: The Kennedy Center building may be temporarily closed, but its arts and education programming is still alive! Your gift today will provide vital support for the arts during the COVID-19 Pandemic. Please consider donating today at: https://www.kennedy-center.org/Support/Help/ Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #mariatallchief #ballerina #kennedycenter
0:00
-
Play video Amazing Hat Juggling performance by Beijing Acrobats | The Kennedy Center
Amazing Hat Juggling performance by Beijing Acrobats | The Kennedy Center
The Beijing Acrobats perform an incredible hat juggling routine on the Millennium Stage at The Kennedy Center. Watch their full show here: https://youtu.be/c7-4IFhYe9Y Founded in 1957 in Tianqiao, Beijing -- the birthplace of acrobats -- Beijing Acrobats is a professional troupe of distinctive artistic styles and innovation. Part of Millennium Stage at the Kennedy Center. Filmed live on February 4, 2017. Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #beijingacrobats #hatjuggling #kennedycenter
0:00
-
Play video Dance Theatre of Harlem & Miami City Ballet: Pam Tanowitz's "Gustave Le Gray No. 1"
Dance Theatre of Harlem & Miami City Ballet: Pam Tanowitz's "Gustave Le Gray No. 1"
The Kennedy Center’s Ballet Across America is a program that explores the breadth and depth of American ballet. Occurring every few years, multiple American companies are invited to participate in a week-long celebration featuring performances from each company. In 2019, Ballet Across America was put together with the inspiration of women’s leadership in ballet and dance. To mark the celebration, the Center commissioned choreographer Pam Tanowitz to create a world premiere work for the week’s two participating companies, Dance Theatre of Harlem and Miami City Ballet; both are companies led by visionary women – Virginia Johnson at DTH and Lourdes Lopez in Miami. Tanowitz set the work on two dancers from each company, with a pianist on stage playing a solo work by the composer Caroline Shaw. The piece had its world premiere during Ballet Across America on May 31, 2019. This video captures the premiere performance. "Gustave Le Gray No. 1" Choreography by Pam Tanowitz Music by Caroline Shaw (Gustave Le Gray) Assistants to the Choreographer: Jason Collins and Vincent McCloskey Costumes by Reid Bartelme and Harriet Jung Lighting by Davison Scandrett Pianist: Sylvia Jung Dancers: Renan Cerdeiro, Lauren Fadeley, Anthony Santos and Stephanie Rae Williams May 31, 2019 #BalletAcrossAmerica #DanceTheatreHarlem #MiamiCityBallet Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
0:00
-
Play video Bon Iver & TU Dance - "R.A.H." | LIVE at The Kennedy Center
Bon Iver & TU Dance - "R.A.H." | LIVE at The Kennedy Center
Bon Iver and TU Dance perform "R.A.H." LIVE at The Kennedy Center as part of DIRECT CURRENT, filmed live in the Kennedy Center's Concert Hall on March 25, 2019. The Kennedy Center's DIRECT CURRENT celebration kicked off with Bon Iver & TU Dance’s Come Through, a cohesive, cross-genre performance between two artistic powerhouses. This evening-length collaboration featured new music from Justin Vernon, of two-time Grammy Award®–winning indie folk band Bon Iver, and new choreography from TU Dance, a diverse nine-member company founded by Toni Pierce-Sands and Uri Sands and known for works that combine the language of modern dance and classical ballet with African-based and urban vernacular movements. Come Through was commissioned by the Saint Paul Chamber Orchestra’s Liquid Music Series. "R.A.H." Performed by Bon Iver and TU Dance TU Dance Artistic Directors, Toni Pierce-Sands and Uri Sands Music by Justin Vernon Choreography by Uri Sands #DirectCurrent #BonIver #TUDance #ComeThrough Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
0:00
